Vol. 14 No. 1 (2017) | Lwati: A Journal of Contemporary Research

Published: 2017-09-07

Language Civility, Immediacy and Peace Valence among Nigerian University Academics

Alexander Essien Timothy, Vincent Ugah Uguma

1-13

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Fostering Cognitive Collaboration for Effective Instruction in English Language Classrooms in Nigeria

Gloria Ojo

14-24

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Graduate Unemployment in Nigeria: Implications for National Development

Cletus Ikechukwu Anah, Adaugo Nwosu, Nkiru Ezeji

25-44

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The Role of Borrowed Words in Language Development: the Case of Ejagham and English

Roseline Ntui Egbe, Ini-Mbom James Akpan

45-58

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Family and the Bildungsroman Tradition in Maya Angelou’s I Know Why The Caged Bird Sings and Chimamanda Adichie’s Purple Hibiscus.

Ima Usen Emmanuel

59-79

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Art Beyond Facial Value: of Metaphorization and Functionality of Sexual Scenes in Selected Nigerian Short Stories in the Cyberspace

Ojima Sunday Nathaniel, Onyekachi Peter Onuoha

80-103

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Democratising Political Powers through Locke’s Doctrine of Prerogative

Finian Igbede Moko, Francis Ibe Mogu

104-119

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Asouzu’s Complementary Ontology as a Foundation for a Viable Ethic of the Environment

Oduora Okpokam Asuo, Solomon Kingsley

120-137

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The Relevance of Pusey’s Eirenicon Today: Intercommunion between Anglicans and Roman Catholics

Emmanuel Orok Duke

138-156

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Video Film Piracy in Nigeria: Interfacing to Integrate the Pirate

Edet Essien

157-166

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Values of Modern Technology to Electronic Media Management in Nigeria

Columba Apeh

167-178

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Lwati: A Journal of Contemporary Research
Journal / Lwati: A Journal of Contemporary Research / Vol. 14 No. 1 (2017) / Articles

Articles

Language Civility, Immediacy and Peace Valence among Nigerian University Academics

DOI:

Fostering Cognitive Collaboration for Effective Instruction in English Language Classrooms in Nigeria

DOI:

Graduate Unemployment in Nigeria: Implications for National Development

DOI:

The Role of Borrowed Words in Language Development: the Case of Ejagham and English

DOI:

Family and the Bildungsroman Tradition in Maya Angelou’s I Know Why The Caged Bird Sings and Chimamanda Adichie’s Purple Hibiscus.

DOI:

Art Beyond Facial Value: of Metaphorization and Functionality of Sexual Scenes in Selected Nigerian Short Stories in the Cyberspace

DOI:

Democratising Political Powers through Locke’s Doctrine of Prerogative

DOI:

Asouzu’s Complementary Ontology as a Foundation for a Viable Ethic of the Environment

DOI:

The Relevance of Pusey’s Eirenicon Today: Intercommunion between Anglicans and Roman Catholics

DOI:

Video Film Piracy in Nigeria: Interfacing to Integrate the Pirate

DOI:

Values of Modern Technology to Electronic Media Management in Nigeria

DOI:

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