Vol. 29 (2017) | Shakespeare in Southern Africa

Published: 2017-07-20

Editorial: aboard the Red Dragon in 2017

Chris Thurman

DOI:

10.4314/sisa.v29i1.1

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Climate as climax in Shakespeare’s Plays

Sophie Chiari

1-15

DOI:

10.4314/sisa.v29i1.2

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‘Thinking with Shakespeare’: The Merchant of Venice – Shylock, Caliban and the dynamics of social scale

Laurence Wright

17-26

DOI:

10.4314/sisa.v29i1.3

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‘Alone’, ‘constant’ and ‘(in)visible’: Staging leadership in Coriolanus

Sarah Roberts

27-49

DOI:

10.4314/sisa.v29i1.4

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Psychological, emotional and spiritual violence: Carole Langille’s Church of the Exquisite Panic: The Ophelia Poems

Geoffrey Haresnape

51-60

DOI:

10.4314/sisa.v29i1.5

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The search for identity in recent German productions of Twelfth Night

Laura A. Zander

61-72

DOI:

10.4314/sisa.v29i1.6

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“The Subject of the Land”: Marcellus in Hamlet

Tony Voss

73-81

DOI:

10.4314/sisa.v29i1.7

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Natural law and Shakespeare’s grand speeches of order

Peter J.H. Titlestad

83-92

DOI:

10.4314/sisa.v29i1.8

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Hawu Shakespeare: Dancing on Shakespeare’s grave

Colette Gordon

93-98

DOI:

10.4314/sisa.v29i1.9

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A German perspective on Plaatje, Nyerere and Shakespeare in translation

Kathleen Thorpe

99-100

DOI:

10.4314/sisa.v29i1.10

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Shakespeare in Southern Africa
Journal / Shakespeare in Southern Africa / Vol. 29 (2017) / Articles

Articles

Editorial: aboard the Red Dragon in 2017

DOI:

Climate as climax in Shakespeare’s Plays

DOI:

‘Thinking with Shakespeare’: The Merchant of Venice – Shylock, Caliban and the dynamics of social scale

DOI:

‘Alone’, ‘constant’ and ‘(in)visible’: Staging leadership in Coriolanus

DOI:

Psychological, emotional and spiritual violence: Carole Langille’s Church of the Exquisite Panic: The Ophelia Poems

DOI:

The search for identity in recent German productions of Twelfth Night

DOI:

“The Subject of the Land”: Marcellus in Hamlet

DOI:

Natural law and Shakespeare’s grand speeches of order

DOI:

Hawu Shakespeare: Dancing on Shakespeare’s grave

DOI:

A German perspective on Plaatje, Nyerere and Shakespeare in translation

DOI:

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