Vol. 38 No. 1 (2019) | South African Music Studies

Obituary: Stanley Glasser (1926-2018)

Michael Blake

6-11

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Composing, Creative Play and the Ethical Incomplete: Practice-Based Approaches in Ethnomusicology

Cara Stacey

19-40

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The Head and the Load, dir. William Kentridge, composed by Philip Miller and Thuthuka Sibisi, choreography by Gregory Maqoma. Tate Modern, London, 11-15 July 2018

Juliana M. Pistorius

82-89

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Of Trees, Animals, Place Names and Music: Gideon Fagan’s Karoo Symphony

Winfried Lüdemann

90-136

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Reading for ‘African Spectralism’ in Latozi Mphahleni’s ‘Modokali’

Andile Khumalo

137-167

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Jazz Dialogics: Practice and the Institution

Stephanie Vos

168-171

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Bheki Mseleku: Towards a Biography

Nduduzo Makhathini

172-197

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Opinion Piece: Jazz Curriculum in South Africa: Content and Relevance

Andrew Lilley

198-213

An Interview with Kyle Shepherd

Stephanie Vos

214-238

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Last Night at the Bassline: A Conversation with David Coplan

Valmont Layne, David B. Coplan

239-244

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Book Review: ‘Cape Town Harmonies: Memory, Humour and Resilience’ by Armelle Gaulier and Denis-Constant Martin

Marie Jorritsma

245-257

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Beyond King Kong: Literary, Historical and Musicological Perspectives on Todd Matshikiza

Lindelwa Dalamba

258-260

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‘The White Claw Grabbing the Black Man’s Creative Work’: Dominant Culture and African Expression, One Festival and Two World Premieres

Jeffrey Brukman

261-288

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‘Word-Jazz’: Intersections Between Todd Matshikiza’s Literary and Musical Lives

Andrea Thorpe

289-300

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Beyond the Seam: Comrades, Compromises and Collisions in Todd Matshikiza’s ‘Jazz’ Worlds

Lindelwa Dalamba

301-334

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Jazz, Gender and Ambivalence: Todd Matshikiza’s ‘Joyce’ and the Politics of Representation

Hlumelo Ledwaba

336-356

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Revisiting Todd Matshikiza’s King Kong

Christopher Ballantine

357-360

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Review: King Kong: Legend of a Boxer, dir. Jonathan Munby Mareli Stolp, University of KwaZulu-Natal

Mareli Stolp

361-366

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South African Music Studies
Journal / South African Music Studies / Vol. 38 No. 1 (2019) / Articles

Articles

Obituary: Stanley Glasser (1926-2018)

Composing, Creative Play and the Ethical Incomplete: Practice-Based Approaches in Ethnomusicology

The Head and the Load, dir. William Kentridge, composed by Philip Miller and Thuthuka Sibisi, choreography by Gregory Maqoma. Tate Modern, London, 11-15 July 2018

Of Trees, Animals, Place Names and Music: Gideon Fagan’s Karoo Symphony

Reading for ‘African Spectralism’ in Latozi Mphahleni’s ‘Modokali’

Jazz Dialogics: Practice and the Institution

Bheki Mseleku: Towards a Biography

Opinion Piece: Jazz Curriculum in South Africa: Content and Relevance

An Interview with Kyle Shepherd

Last Night at the Bassline: A Conversation with David Coplan

Book Review: ‘Cape Town Harmonies: Memory, Humour and Resilience’ by Armelle Gaulier and Denis-Constant Martin

Beyond King Kong: Literary, Historical and Musicological Perspectives on Todd Matshikiza

‘The White Claw Grabbing the Black Man’s Creative Work’: Dominant Culture and African Expression, One Festival and Two World Premieres

‘Word-Jazz’: Intersections Between Todd Matshikiza’s Literary and Musical Lives

Beyond the Seam: Comrades, Compromises and Collisions in Todd Matshikiza’s ‘Jazz’ Worlds

Jazz, Gender and Ambivalence: Todd Matshikiza’s ‘Joyce’ and the Politics of Representation

Revisiting Todd Matshikiza’s King Kong

Review: King Kong: Legend of a Boxer, dir. Jonathan Munby Mareli Stolp, University of KwaZulu-Natal

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