Vol. 17 No. 2 (2017) | Nigeria Theatre Journal: A Journal of the Society of Nigeria Theatre Artists

Published: 2023-03-16

Contextualising change in Nigeria’s leadership question through the film medium: A critical reading of Jeta Amata’s Black November

Barclays Foubiri Ayakoroma

1-17

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Change ideology in Femi Osofisan’s once upon four robbers

Aondowase Boh

18-28

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Approach to playwriting in a time of change in Nigeria: The application of post-indiginist realism

Oluchi J. Igili

46-63

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The change mantra: Redefining costuming in Nollywood films

Etuwe Ruth Epochi-Olise

64-81

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Muyiwa Ademola’s Owo Okuta (The Law of Karma) in the context of governance in Nigeria

Hameed Olutoba Lawal

82-91

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Film in social mobilization and human development

Teddy Thaddeus Hanmakyugh

92-117

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‘Glocalization’ and marketing strategies in Nigeria: Implications for the Nollywood industry

Chisimdi Udoka Ihentuge

118-134

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Feminism and the change mantra in Akinwunmi Isola's dramatic text of Madam Efunroye Tinubu: The Iyalode Egba

Idowu Kojusotito Olatunji

135-144

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Providindg direction for the Nigerian cultural reorientation in Iyorwuese Hagher’s Lifetimes

Tayo Simeon Arinde, Olaitan Lateef Rasheed

145-158

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Nigerian playwrights in search of change: Julie Okoh, Alex Asigbo, Tracie Utoh-Ezeajugh and Emmanuel Emasealu Examined

Sunday Edum

159-170

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Cosmological aesthetics as change indicators in selected plays of Esiaba Irobi

Kelechi Stellamaris Ogbonna

171-186

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Social-Darwinism and change in Nigerian drama: A study of Eni-Jones Umuko’s The Scent of Crude Oil

Cindy Ezeugwu

187-194

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Re-inventing the populist dramaturgy and stagecraft in literary Nigerian theatre

Olympus G. Ejue

195-210

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Negotiating identity: Theatre, performance and criticism in Africa

Emmanuel S. Dandaura

211-224

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Nigeria Theatre Journal: A Journal of the Society of Nigeria Theatre Artists
Journal / Nigeria Theatre Journal: A Journal of the Society of Nigeria Theatre Artists / Vol. 17 No. 2 (2017) / Articles

Articles

Contextualising change in Nigeria’s leadership question through the film medium: A critical reading of Jeta Amata’s Black November

DOI:

Change ideology in Femi Osofisan’s once upon four robbers

DOI:

Approach to playwriting in a time of change in Nigeria: The application of post-indiginist realism

DOI:

The change mantra: Redefining costuming in Nollywood films

DOI:

Muyiwa Ademola’s Owo Okuta (The Law of Karma) in the context of governance in Nigeria

DOI:

Film in social mobilization and human development

DOI:

‘Glocalization’ and marketing strategies in Nigeria: Implications for the Nollywood industry

DOI:

Feminism and the change mantra in Akinwunmi Isola's dramatic text of Madam Efunroye Tinubu: The Iyalode Egba

DOI:

Providindg direction for the Nigerian cultural reorientation in Iyorwuese Hagher’s Lifetimes

DOI:

Nigerian playwrights in search of change: Julie Okoh, Alex Asigbo, Tracie Utoh-Ezeajugh and Emmanuel Emasealu Examined

DOI:

Cosmological aesthetics as change indicators in selected plays of Esiaba Irobi

DOI:

Social-Darwinism and change in Nigerian drama: A study of Eni-Jones Umuko’s The Scent of Crude Oil

DOI:

Re-inventing the populist dramaturgy and stagecraft in literary Nigerian theatre

DOI:

Negotiating identity: Theatre, performance and criticism in Africa

DOI:

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