Vol. 12 No. 1-2 (2015) | Journal of the Musical Arts in Africa

Editorial- Tortoises and magical trees: ethical considerations for publishing

Anri Herbst

viii-x

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The Hans Kramer collection at the national Library, Cape Town: an archival perspective On Jewish patronage of music in 20th-century South Africa

Annemie Stimie Behr

1-22

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Pauline Bredelli: South Africa’s elusive first prima donna

Christian Bester

23–32

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Repertoire performed in Anglican parishes in the Diocese of Cape Town: congregational music and local developments, 2009–2012

Andrew-John Bethke

33–55

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From orality to literacy: negotiating musical transmission in the Christmas bands in the Western Cape, South Africa

Sylvia Bruinders

57–72

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‘Sounds of a cowhide drum’: challenges facing a new African musicology

Marc Duby

77–87

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From the Valley of Desolation, for flute, cello and prepared piano

Amy Luyendijk-Crankshaw

89–91

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Peter Klatzow: the septuagenarian composer

Wilhelm Delport

93–96

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In memoriam – Pascal Zabana Kongo (1947–2014)

Kofi Agawu

97–98

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Music and the Performance of Identity on Marie- Galante, French Antilles

Joanna Bosse

99-101

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Post-Apartheid Dance: Many Bodies, Many Voices, Many Stories. Newcastle upon Tyne

Jade Gibson

103-105

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Johnson, Bruce & Martin Cloonan (2009). Dark Side of the Tune: Popular Music and Violence

Matthew Sumera

107–110

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Kirby, Percival Robson (2013). Musical Instruments of the Indigenous People of South Africa

Engela Helena Britz

111-113

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Martin, Denis-Constant (2013). Sounding the Cape: Music, Identity and Politics in South Africa

Jonathan Gregory

115-118

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Omojola, Bode (2012).Yorùbá Music in the Twentieth Century: Identity, Agency, and Performance Practice

Richard Deja

119–122

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Journal of the Musical Arts in Africa
Journal / Journal of the Musical Arts in Africa / Vol. 12 No. 1-2 (2015) / Articles

Articles

Editorial- Tortoises and magical trees: ethical considerations for publishing

The Hans Kramer collection at the national Library, Cape Town: an archival perspective On Jewish patronage of music in 20th-century South Africa

Pauline Bredelli: South Africa’s elusive first prima donna

Repertoire performed in Anglican parishes in the Diocese of Cape Town: congregational music and local developments, 2009–2012

From orality to literacy: negotiating musical transmission in the Christmas bands in the Western Cape, South Africa

‘Sounds of a cowhide drum’: challenges facing a new African musicology

From the Valley of Desolation, for flute, cello and prepared piano

Peter Klatzow: the septuagenarian composer

In memoriam – Pascal Zabana Kongo (1947–2014)

Music and the Performance of Identity on Marie- Galante, French Antilles

Post-Apartheid Dance: Many Bodies, Many Voices, Many Stories. Newcastle upon Tyne

Johnson, Bruce & Martin Cloonan (2009). Dark Side of the Tune: Popular Music and Violence

Kirby, Percival Robson (2013). Musical Instruments of the Indigenous People of South Africa

Martin, Denis-Constant (2013). Sounding the Cape: Music, Identity and Politics in South Africa

Omojola, Bode (2012).Yorùbá Music in the Twentieth Century: Identity, Agency, and Performance Practice

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