Vol. 7 No. 1-2 (2019) | EJOTMAS: Ekpoma Journal of Theatre and Media Arts

Published: 2020-04-15

Editorial: EJOTMAS: Raising the research and publication bar at Ambrose Alli University, Ekpoma, Nigeria

Osakue Stevenson Omoera

DOI:

10.4314/ejotmas.v7i1-2.1

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Online self-disclosure among students of higher institutions of learning in Ibadan Metropolis, Nigeria

Olayinka Abimbola Egbokhare, Adeola Obafemi Mobolaji

1-19

DOI:

10.4314/ejotmas.v7i1-2.2

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Issues in preventing mother-to-child transmission of HIV: a liberal humanist reading of Song of a Goat

Dennis A. Mordi

20-33

DOI:

10.4314/ejotmas.v7i1-2.33

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Interactive theatre for community conflict resolution and transformation: the Oye-Ekiti Forum Theatre Workshop in perspective

Joseph Agofure Idogho

34-49

DOI:

10.4314/ejotmas.v7i1-2.3

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Geospatial data and artificial intelligence technologies as innovative communication tools for quality education and lifelong learning

Chidinma Henrietta Onwubere

50-71

DOI:

10.4314/ejotmas.v7i1-2.4

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Dance and content issues: implications for contemporary indigenous dance in Nigeria

Princewill C. Abakporo

72-82

DOI:

10.4314/ejotmas.v7i1-2.5

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Balancing gender stereotypes in Nollywood: a consideration of Genevieve Nnaji’s Lionheart

Roselyn Vona Doghudje

83-97

DOI:

10.4314/ejotmas.v7i1-2.6

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A syncretic analysis of the duality of dance as art and science

Mariam A. Iyeh, Godwin Onuche

98-109

DOI:

10.4314/ejotmas.v7i1-2.7

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An examination of the placement of adverbials in the academic writing of fresh undergraduate students in the University of Cape Coast, Ghana

Philip Arthur Gborsong, Anita B. Appartaim

110-128

DOI:

10.4314/ejotmas.v7i1-2.8

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The utilization of literary techniques in Flora Nwapa’s Never Again and Chimamanda Adichie’s Half of a Yellow Sun

Onyeka Ike

129-152

DOI:

10.4314/ejotmas.v7i1-2.9

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Terror thrillers and tradition: a postcolonial reading of selected African cinema

Victor Osae Ihidero

153-168

DOI:

10.4314/ejotmas.v7i1-2.10

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Feminism and human rights in Utoh-Ezeajugh’s Our Wives Have Gone Mad Again and Femi Osofisan’s Yungba-Yungba and the Dance Contest

Grace Itoro Ibanga

169-189

DOI:

10.4314/ejotmas.v7i1-2.11

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Journalism as a profession: the challenges of women in a discriminatory society

Olayinka Susan Ogundoyin

190-204

DOI:

10.4314/ejotmas.v7i1-2.12

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Nigeria’s cultural policy implementation: sustaining cultural diversity through cultural resource management

Elizabeth O. Ben-Iheanacho

205-215

DOI:

10.4314/ejotmas.v7i1-2.13

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Skin bleaching and women sexualisation: a discourse analysis of Fela Kuti’s Yellow Fever and Ayinla Omowura’s Oro Kan Je Mi Logun

Israel A. Fadipe

216-235

DOI:

10.4314/ejotmas.v7i1-2.14

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Constraints in the practice of theatre for development in Nigerian tertiary institutions

Jimmy Unekwu Akoh

236-256

DOI:

10.4314/ejotmas.v7i1-2.15

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Trends in media framing of industrial crises reporting: implication for media research in Nigeria

Julius Abioye Adeyemo, Olugbenga Elegbe

254-266

DOI:

10.4314/ejotmas.v7i1-2.16

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Inventing animate floats: transformation and interpretation in Nigeria’s Abuja Carnival

Michael Adérèmí Adéoyè

267-280

DOI:

10.4314/ejotmas.v7i1-2.17

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The iconoclastic theatre: transgression in Christopher Marlowe’s Tamburlaine

Emad A. Alqadumi

281-293

DOI:

10.4314/ejotmas.v7i1-2.18

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The use of specific linguistic features within the context of a casual conversation in a speech community

Ekiyokere Ekiye

294-309

DOI:

10.4314/ejotmas.v7i1-2.19

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Costumes as depiction of cultural identity in Pedro Agbonifo-Obaseki’s Idia

Owens Patricia Eromosele

310-320

DOI:

10.4314/ejotmas.v7i1-2.20

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Women as agents of conflict resolution in Femi Osofisan’s Moroutodun

Rasheed Oshoke Ogakason

321-334

DOI:

10.4314/ejotmas.v7i1-2.21

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Choreographic metaphors of political terrorism and counter-terrorism in Arodan Dance Theatre

Tosin Kooshima Tume

335-347

DOI:

10.4314/ejotmas.v7i1-2.22

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Community radio: an instrument for good governance in Nigeria

‘Rantimi Jays Julius-Adeoye

348-361

DOI:

10.4314/ejotmas.v7i1-2.23

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Import of family and peers in a writer’s life

Chinedu Ogoke

362-373

DOI:

10.4314/ejotmas.v7i1-2.24

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Ritual culture phenomenon in Igbo films: a study of Money is Money

Teddy Thaddeus Hanmakyugh

374-385

DOI:

10.4314/ejotmas.v7i1-2.25

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A congenial communication climate: the catalyst and panacea for effective organizational communication

Bifatife Olufemi Adeseye, Innocent Afolabi Ariremako

386-402

DOI:

10.4314/ejotmas.v7i1-2.26

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Aestheticism in visual symbols: catalysts for theatre patronage in contemporary play production

Bernard Eze Orji

403-421

DOI:

10.4314/ejotmas.v7i1-2.27

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The producer-artistic business relationship: a major concern for the survival of theatre practice in Nigeria

Olatunji Samson Sotimirin

422-432

DOI:

10.4314/ejotmas.v7i1-2.28

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Song texts as instruments of communication in “Alaga Iduro” and “Alaga Ijokoo” musical performances during engagement ceremonies

Olufunmilola Temitayo Oladipo

433-446

DOI:

10.4314/ejotmas.v7i1-2.29

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Dance pedagogy and entrepreneurship: a study of Footprints Arts Ambassadors, Lagos

Michael Oladipupo Fernandez

447-459

DOI:

10.4314/ejotmas.v7i1-2.30

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Impact of war on women: Iyorwuese Hagher’s Lamp of Peace

Jonathan Desen Mbachaga

460-469

DOI:

10.4314/ejotmas.v7i1-2.31

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Journalism practice and application of the contempt of court principle in the Nigerian judiciary

Oyakemeagbegha Musah

470-487

DOI:

10.4314/ejotmas.v7i1-2.32

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