Vol. 13 No. 1 (2018) | The CRAB: Journal of Theatre and Media Arts

Church versus Ogun: Subversion and Irony in Wole Soyinka’s The Road

Obari Gomba

11-28

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Religion, Politics and The Metaphor of North-Africa in Tewfiq Al-Hakim’s The Sultan’s Dilemma and Fate of A Cockroach

Victor Osae Ihidero

29-49

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Demons at the Crossroad: Evaluating Hybrid Patriarchies in Postcolonial Marriage Institutions in So Long a Letter and Purple Hibiscus

Edith Awogu-Maduagwu, Eugenia N. Abiodun-Eniayekan, Isaiah A. Fortress

50-56

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Promiscuous Lifestyle in Nigeria: An Ethical Response

Chiedu A. Onyiloha

57-77

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Drama As Social Context And Political Process In Wole Soyinka‘S Opera Wonyosi

Oluseyi Abiodun Ogungbesan

78-92

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A Sociolinguistic analysis of Selected English Pentecostal Proper Names in Nigeria

Nneka Umera-Okeke, Destiny Idegbekwe

93-103

Legislative Lawlessness, Intrigues and Sustainability of Democratic Ideals in Nigeria: A Paradigmatic Study of Emeka Nwabueze’s A Parliament of Vultures and Ubong Nda’s House of Intrigues

Chidiebere S. Ekweariri, Ogadinma Amako Effiong

104-125

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Legendary Narrative in New Media

Felicia Ohwovoriole

126-139

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Nollywood and Child Marriage in Nigeria: A Study of Wives on Strike (2016)

Roseline Yacim, Nonso Okafor

140-155

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Orality And Word Construction In Ahmed Yerima’s Iyase: Conceptual Metaphor Theory Perspective

Clement Olujide Ajidahun

157-167

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Participatory Communication and Alternative Development in Nigeria

Martins Moses Agena

168-186

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Theatre, Terrorism and the Society: A Study of Revolutionary Violence in Esiaba Irobi’s Hangmen Also Die

Omorodion Martina Ochuwa

187-197

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When Theatres Shutdown: A Historical Survey of Cameroonian Theatre and Cinema Culture (1980-2018)

Paul Animbom Ngong

198-210

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True Religion And Nation Building: Biblical And Ethical Perspectives

Chiedu A. Onyiloha, Dominic Obielosi

211-224

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The CRAB: Journal of Theatre and Media Arts
Journal / The CRAB: Journal of Theatre and Media Arts / Vol. 13 No. 1 (2018) / Articles

Articles

Church versus Ogun: Subversion and Irony in Wole Soyinka’s The Road

Religion, Politics and The Metaphor of North-Africa in Tewfiq Al-Hakim’s The Sultan’s Dilemma and Fate of A Cockroach

Demons at the Crossroad: Evaluating Hybrid Patriarchies in Postcolonial Marriage Institutions in So Long a Letter and Purple Hibiscus

Promiscuous Lifestyle in Nigeria: An Ethical Response

Drama As Social Context And Political Process In Wole Soyinka‘S Opera Wonyosi

A Sociolinguistic analysis of Selected English Pentecostal Proper Names in Nigeria

Legislative Lawlessness, Intrigues and Sustainability of Democratic Ideals in Nigeria: A Paradigmatic Study of Emeka Nwabueze’s A Parliament of Vultures and Ubong Nda’s House of Intrigues

Legendary Narrative in New Media

Nollywood and Child Marriage in Nigeria: A Study of Wives on Strike (2016)

Orality And Word Construction In Ahmed Yerima’s Iyase: Conceptual Metaphor Theory Perspective

Participatory Communication and Alternative Development in Nigeria

Theatre, Terrorism and the Society: A Study of Revolutionary Violence in Esiaba Irobi’s Hangmen Also Die

When Theatres Shutdown: A Historical Survey of Cameroonian Theatre and Cinema Culture (1980-2018)

True Religion And Nation Building: Biblical And Ethical Perspectives

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