Vol. 27 No. 1 (2019): Supplementum 27

Published: 2023-07-21

Preface

L. Sutton

1-9

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Unheard/heard voices in Exodus 1-17 and some thoughts on poverty in South Africa

J.S. van der Walt

10-21

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The unheard voices in Psalms 90, 91, and 92

N.L. de Claissé- Walford

22-38

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When the unheard voices become violent. Perspectives from Psalm 109 and the #feesmustfall movement

L. Sutton

39-66

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The author of Jeremiah 34:8-22(LXX 41:8-22): Spokesperson for the Judean debt slaves?

M.D. Terblanche

67-78

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Johannine women as paradigms in the Indian context

J. Thomaskutty

79-100

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How Onesimus was heard – Eventually. Some insights from the history of interpretation of Paul’s letter to Philemon

D.F. Tolmie

101-117

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Unheard voices of women in the Bible, with implications of empowerment in the context of today’s church

L.M. Mudimeli, J. van der Westhuizen

118-131

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Beneath the church epitaph “to the glory of God” scream the voices of the unemployed

K.T. Resane

132-147

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Ishmael, the Qur’ān, and the Bible

S.G. de Claissé-Walford

148-164

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Hear the unheard voices of visual art: What is the story?

S.E. Dry

165-178

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Acta Theologica
Journal / Acta Theologica / Vol. 27 No. 1 (2019): Supplementum 27 / Articles

Preface

Preface

DOI:

Articles

Unheard/heard voices in Exodus 1-17 and some thoughts on poverty in South Africa

DOI:

The unheard voices in Psalms 90, 91, and 92

DOI:

When the unheard voices become violent. Perspectives from Psalm 109 and the #feesmustfall movement

DOI:

The author of Jeremiah 34:8-22(LXX 41:8-22): Spokesperson for the Judean debt slaves?

DOI:

Johannine women as paradigms in the Indian context

DOI:

How Onesimus was heard – Eventually. Some insights from the history of interpretation of Paul’s letter to Philemon

DOI:

Unheard voices of women in the Bible, with implications of empowerment in the context of today’s church

DOI:

Beneath the church epitaph “to the glory of God” scream the voices of the unemployed

DOI:

Ishmael, the Qur’ān, and the Bible

DOI:

Hear the unheard voices of visual art: What is the story?

DOI:

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