Oral performance as substitute for ritual: Ekutet, a Teso exhumation ceremony

Abstract

Among the Teso of Western Kenya, Ekutet (the exhumation ceremony) has for centuries been practised to treat physical, mental, and/or emotional problems. A family’s, or the community’s, persistent misfortunes such as frequent deaths, illnesses, accidents, or nexplained feuds and such other grief causing occurrences may be attributed to an unhappy dead member of the family or community. To correct the situation and bring life back to normal, the unhappy dead member’s bones are exhumed, either for reburial or display in a sacred place. Notably, the ritual is performed to the accompaniment of oral performances, rendered as narrations, incantations, swearing, prayer chants, and occasional re-enactments of attendant dramatic anecdotes. This article is written against the backdrop of the realisation that the Ekutet ritual itself appears to be diminishing, which then raises a pertinent question: What replaces, or has replaced, the role that this highly psychological ritual has usually played in the lives of the Teso people? I interviewed members of the community, while analysing the oral performances incorporated in this socio-cultural cum spiritual endeavour. Due to the fact that the actual ritual has become quite rare, people apparently try to keep it alive by revisiting the memory of the ritual, which they do through re-enactments and mock exhumations. This then also draws attention to the role of memory, narration, and re-enactment in either the resuscitation of, or the reliving of, diminishing ritual practices.