Making theatre in digital spaces: The imperative of Ijov Mbakuv on social media platforms

Abstract

The evolution of digital technology has affected traditional theatre practice in Tiv society just like it has done in many other African  societies. Contemporary developments in theatre have marked differences from the theatre of the past due to massive revolution being witnessed in theatre practice. This is based on the changing phases of human development orchestrated by the advancement in digital  and information technology around the globe. Notwithstanding is the hybridization of cultures which has brought about far reaching changing norms and forms in traditional performances of all kinds. The introduction of social media and its various platforms to society  has transported traditional theatre from the local mode into a digital media which closes the barrier of distance and increases its visibility  to a larger audience. Despite some limitations, the prospects are extensive. This paper considers the Tiv Ijov Mbakuv  performance from its conduct in the local mode and its transmission to digital platforms on social media. The finding is that, Tiv Ijov  Mbakuv performance in the digital media is not a counter-theatre but a theatre that has taken advantage of technological advancement and yet, maintaining the elements of its origin and opening the culture of a people for wider access and appreciation by varied  audiences. Therefore, the paper notes that, theatre is part of society, the ever-changing nature of society also demands for changes in  theatre forms so as to meet up with the yearnings and privileges of a new society. Ijov Mbakuv performance in the digital media is a  response to new social demands.