Making theatre in digital spaces: The imperative of Ijov Mbakuv on social media platforms

Abstract

The evolution of digital technology has affected traditional theatre practice in Tiv society just like it has done in many other African societies.  Contemporary developments in theatre have marked differences from the theatre of the past due to massive revolution being witnessed in theatre  practice. This is based on the changing phases of human development orchestrated by the advancement in digital and information technology around  the globe. Notwithstanding is the hybridization of cultures which has brought about far reaching changing norms and forms in traditional performances  of all kinds. The introduction of social media and its various platforms to society has transported traditional theatre from the local mode into a digital  media which closes the barrier of distance and increases its visibility to a larger audience. Despite some limitations, the prospects are extensive. This paper considers the Tiv Ijov Mbakuv performance from its conduct in the local mode and its transmission to digital platforms on social media. The finding  is that, Tiv Ijov Mbakuv performance in the digital media is not a counter-theatre but a theatre that has taken advantage of technological  advancement and yet, maintaining the elements of its origin and opening the culture of a people for wider access and appreciation by varied audiences. Therefore, the paper notes that, theatre is part of society, the ever-changing nature of society also demands for changes in theatre forms so as to meet  up with the yearnings and privileges of a new society. Ijov Mbakuv performance in the digital media is a response to new social demands.