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Dak’Art 2012: A critique of artistic trajectories and politics of power


IF Okoronkwo

Abstract

In this paper I undertake a review of Dak‟Art 2012. An engagement of this kind is considered pertinent when we realize that the Dak‟Art Biennale has come to be a globally rated event. It is proper to articulate how Dak‟Art has fared in its objective.

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print ISSN: 2346-7126