Vol. 20 No. 1 (2023) | Journal of the Musical Arts in Africa

Editorial: A publisher’s perspectives on the use and abuse of artificial intelligence in academic journal publishing

Mike Schramm

viii-xiii

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Sounds of displeasure: a textual and sonic reading of ‘The Masses’ by Ghanaian hiplife artist Sarkodie

Matthew Eshun

1-17

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How Karlien van Jaarsveld and Refentse Morake became ‘Huisgenote’: a Foucauldian problematisation

Lestie Hughes

19-35

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Interrogating the nuances of West African melodies: cadential conventions in Ogu songs

Joseph Kunnuji, Matildie Wium

37-54

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Music as research: the integrated doctoral degree in music from a South African perspective

Winfried Lüdemann

55-78

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What my body told me: towards a bodily interpretation of Clare Loveday’s Johannesburg Etude No. 1

Mareli Stolp

79-95

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Sonic labyrinths: form and creative process in like knotted strings (2022) for string quartet

Njabulo Phungula

97-114

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Addressing the pipework in South Africa’s oldest playable organ: a materialist-political history

Jonathan Edward Hughes

115-126

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In memoriam – Latozi ‘Madosini’ Mpahleni (1943–2022)

Thandeka Mfinyongo

127-128

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Book review: The Artistry of Bheki Mseleku

Samuel Boateng

129-132

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Book review: Mr Entertainment: The Story of Taliep Petersen

Schalk D van der Merwe

133-135

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CD review: Songs of Greeting, Healing and Heritage

Bronwen Clacherty

137-139

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CD review: Prismatica: Contemporary South African Piano Music

Dominic Daula

141-144

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The 47th International Council for Traditions of Music and Dance World Conference

Damascus Kafumbe

145-150

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Journal of the Musical Arts in Africa
Journal / Journal of the Musical Arts in Africa / Vol. 20 No. 1 (2023) / Articles

Articles

Editorial: A publisher’s perspectives on the use and abuse of artificial intelligence in academic journal publishing

Sounds of displeasure: a textual and sonic reading of ‘The Masses’ by Ghanaian hiplife artist Sarkodie

How Karlien van Jaarsveld and Refentse Morake became ‘Huisgenote’: a Foucauldian problematisation

Interrogating the nuances of West African melodies: cadential conventions in Ogu songs

Music as research: the integrated doctoral degree in music from a South African perspective

What my body told me: towards a bodily interpretation of Clare Loveday’s Johannesburg Etude No. 1

Sonic labyrinths: form and creative process in like knotted strings (2022) for string quartet

Addressing the pipework in South Africa’s oldest playable organ: a materialist-political history

In memoriam – Latozi ‘Madosini’ Mpahleni (1943–2022)

Book review: The Artistry of Bheki Mseleku

Book review: Mr Entertainment: The Story of Taliep Petersen

CD review: Songs of Greeting, Healing and Heritage

CD review: Prismatica: Contemporary South African Piano Music

The 47th International Council for Traditions of Music and Dance World Conference

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