Exploring Sexism in Humour: A Linguistic Analysis of Comedic Performances on the Churchill Show

Abstract

This paper examines the linguistic dimensions of sexism embedded within comedic  performances on The Churchill Show, a popular Kenyan stand-up comedy program.  Attention was paid to live performances broadcast on TV47. The paper seeks to  uncover the subtle ways sexism is expressed through comedians’ utterances.  Utilizing Norman Fairclough’s (2001) sociocultural framework of Critical Discourse  Analysis (CDA), the paper employs a descriptive research approach. Utterances from  select stand-up comedy acts performed in November 2023 were gathered  using purposive sampling. The collection process involved transcribing humorous  statements from live performances and performing linguistic analysis to identify linguistic features that convey sexist humour. Content analysis is applied to  utterances identified as sexist on the basis that they manifest or reflect unequal  power structures, societal stereotypes, or gender-based discriminatory attitudes.  The findings indicate that comedians employ various linguistic strategies to  generate sexist humour, including juxtaposition, hyperbole, ambiguity, wordplay,  pun, and irony. By highlighting the linguistic techniques that perpetuate sexism in  comedic discourse, this paper enhances the understanding of the relationship  between humour, language, and gender dynamics in the context of Kenyan stand- up comedy.