A musicological discourse on selected popular songs used during the 2020 #End SARS protest in Lagos, Nigeria

Abstract

Criticism through music is an aspect of musicology that has come to stay in society. Nigerian pop artists have explored music criticism which has given rise to the numerous released songs criticizing the government, organizations, or individuals directly or indirectly. The situation of Nigeria’s economy and security has depleted over the past decade which has seen an increase in insecurity, corruption, and police brutality. In the light of this, musicians have over the years continuously lend their voice in these discussions by releasing thought provocative songs that are exhilarating to the consumers. These songs have proven to be relevant in the fight against corruption, insecurity and injustice in Nigeria as they try to correct or proffer solutions to the ills in society. In the wake of October 14 2020, a group of youth protested at the Lekki toll gate in Lagos state against police brutality to innocent citizens and some of these thought-provoking songs were the driving force behind their emotions. The philosophy behind the songs have educated Nigerian citizens on their fundamental rights which has become an eye opener for both the oppressor and the oppressed This study intends to discuss, and analyze the text of the songs used during this protest to ascertain if using the songs was justified. The methodology for collecting data for this research purpose is through observations and discographies.