Collaborative theory of Igoru composition in Okpe nation anthem:An approach to art music creativity

Abstract

The Okpẹ people of Delta State, Nigeria have rich cultural heritage, which includes musical arts creativity that serves as symbol of identity, unity and development. In the 1920s, the Okpe in Lagos found Igoru traditional music as a symbol of their identity and a force towards enhancing unity for the success of their socio-political activities within and outside their homeland. In 2010, the Okpe launched its Anthem composed in the form of Igoru traditional music, to re-affirm the identity of the people and enhance greater unity amongst them. The anthem was composed adopting the collaborative theory of igoru composition. The collaborative work involved a traditional igoru musician and two musicologists. The primary objective of this paper, therefore, is to examine the collaborative approach to igoru music composition and how it was applied in the composition and production of the Okpe Nation Anthem. The researcher investigates the link between the traditional compositional technique and the contemporary approach adopted in the 2010 Okpe anthem through oral and written sources. He analyzes the melody, lyrics and form of the anthem in relation to the concept of identity, unity and collaborative compositional approach. He also draws experience from participation and observation procedures of enquiry.