Uomo e Galantuomo dai testi alla scena. Esperienze di filogia e drammaturgia

Abstract

This investigation aims to study “how Eduardo worked” at the re-elaboration reconstructing the stages and manner in which text-driven management of the staging intensified in the revised editions of Uomo e galantuomo. Eduardo is shown to have progressively increased the force of his own presence on the stage, both as a playwright and a “virtual” stage director, through enrichment of the “explicit” stage directions (the genuine stage directions) and also of those that are “implicit”, i.e. internal to the dialogue and constituted by the deictic and performative phrases.

ISSA vol 13 (2) 2000