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Experiencing the Marital Bed
Abstract
What is presented here is the culmination of researching a phenomenon by trying to capture it in writing and rewriting, in order to give form to the truth in an experience, while knowing that, by writing it, the real truth becomes limited. Phenomenological writing becomes a conversation which is at once both intimate and universal. The marital tales speak to a specific journey, but, as when one recounts details of any special trip – say Paris, for example – the listeners are drawn inward to their own experience. Personal remembrance enmeshes with public exposure so that the collective sighs, “Ah yes, Paris.” And therefore we know some small fragment of an abandoned bed as truly as we know the family bed.