Oppression, domination and conflict: the Yorùbá novel example

Abstract

The constancy of human interaction predisposes them to the inevitability of conflict, arising as a result of misunderstanding or misconception of ideas, opinions and the need to contest and break free from all unpleasant situations. Such realities find representation in literary writings, particularly as they seek to document social experiences. Existing studies on fictional Yorubá novels have interrogated issues relating to historical development, classification, stylistic devices, violence and crimes, albeit, with inadequate attention to issues related to conflict. In filling this lacuna, the present study therefore examines Fágúnwà’s Ògbójú Ode Nínú Igbó Irúnmalè and Fálétí’s Ogun Àwítélè with a view to identify and discuss the representation of conflicts alongside the factors generating conflicts in the novels. Subsequent analysis is anchored on the Marxist approach to sociology of literature as this helps to reveal the roles social class played in the creation of conflicts in the society. Marxism is supported with the mirror image approach to sociology of literature which sees literature as the direct reflection of the human society. The emanating discussions are invigorated with reliance on qualitative research approach and interpretive design which have the dual functions of revealing the factors creating conflict and its consequences in the selected novels as well as the extent to which conflicts manifest hegemonies and dominance. The study concludes by projecting the quest for liberation from oppressions, domination and exploitations as rendered in the novels.