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Thematic irony in the story of Susanna
Abstract
It is commonly held that irony features significantly in Susanna. This seemingly plausible hypothesis, however, has not yet been supported by compelling evidence resulting from a systematic analysis of Susanna. This study attempts to fill this gap by investigating the main ironic expressions, words and incidents featuring in Susanna. The approach followed consists
of uncovering expressions of irony embedded in the story by paying attention to ironic use of metaphor, ironic use of wordplay, ironic use of rhetorical questions, ironic understatements (e.g. litotes), ironic exaggeration (e.g. hyperbole), ironic use of social conventions and traditions and ironic attribution. It is the contention of this study that Susanna is a thematically ironic story. The use of reversed social conventions is the most powerful and the most abundant expression of irony in the story. This dominant derisive technique is possibly aimed at addressing the irrelevance as well as the abuse of Jewish social conventions in the Second Temple period
of uncovering expressions of irony embedded in the story by paying attention to ironic use of metaphor, ironic use of wordplay, ironic use of rhetorical questions, ironic understatements (e.g. litotes), ironic exaggeration (e.g. hyperbole), ironic use of social conventions and traditions and ironic attribution. It is the contention of this study that Susanna is a thematically ironic story. The use of reversed social conventions is the most powerful and the most abundant expression of irony in the story. This dominant derisive technique is possibly aimed at addressing the irrelevance as well as the abuse of Jewish social conventions in the Second Temple period