Article Sidebar
Published:
Sep 16, 2021Keywords:
Article Details
The author(s) retain copyright on work published by AOSIS unless specified otherwise.
Licensing and publishing rights
Author(s) of work published by AOSIS are required to grant AOSIS the unlimited rights to publish the definitive work in any format, language and medium, for any lawful purpose. AOSIS requires journal authors to publish their work in open access under the Creative Commons Attribution 4.0 International (CC BY 4.0) licence.
Read more here: http://creativecommons.org/licenses/by/4.0/.
The authors retain the non-exclusive right to do anything they wish with the published article(s), provided attribution is given to the applicable journal with details of the original publication, as set out in the official citation of the article published in the journal. The retained right specifically includes the right to post the article on the authors’ or their institution’s websites or in institutional repositories.
Previously published work may have been published under a different licence. We advise the community that if they would like to reuse the work to consult the applicable licence at article level.
Main Article Content
‘We see you’ – Sawubona, safe spaces and being human together in South Africa: An ethnographic probe into a fresh expression of church
Ian A. Nell
Ben Aldous
Abstract
Since the end of apartheid and the advent of democratic elections, South Africa has made great strides, but we still continue, at times, to be unable to practise sawubona. On one level, this is not surprising given our history of separateness. The article asks whether fresh expressions of church, such as the community supper at St Peters in Mowbray, Cape Town, indeed create a space for genuinely ‘seeing’ each other and practicing being human together. The article also explores some of the problems inherent in ethnographic work amongst the poor and the vulnerable by asking whether some types of ethnographic work actually practice a form of epistemic violence and muses upon the idea of the postcolonial gaze and ‘othering’ in ethnography in contexts of poverty in the global South. Can ethnography, in some cases, be a form of academic pornography?
