Pragma-semiotic analysis of equivocality in Tess Onwueme’s drama

Abstract

This paper analyses the ‘meanings within meaning’ as it reflects in the use of language as a verbal sign signal that colours Onwueme’s drama and  to which she explores part of semiotics as a vital aspect of her works. Onwueme uses cultural mimesis in expressing meaning in her plays. This is so  as her drama is fashioned towards imitation of certain aspects of her culture. Her techniques match her intention as this reflects in her characters’  depiction and artistry aesthetics which is ebullient. This ploy assists in explaining and discovering in-depth meanings tucked within her works as a  correlation of the realities in the society. A dose of her cultural mimesis consequently becomes a sign signal which is relevant and complementary to  the main action as expressed by the spoken words. The signals provided by the verbal mode through the signs have opened up a wealth of new  and revealing information on communication and dramatic principles.