Vol. 14 No. 1 (2024) | The CRAB: Journal of Theatre and Media Arts

Natural Endowment and Environmental Sustainability: A Paradigmatic Reading of Nwamuo‟s Wisdom of the King and Mbajiorgu‟s Wake Up Everyone

Chidiebere S. Ekweariri, Nnamdi Mbara

10-24

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Assessing Readers‟ Perception of the Influence of Ownership and Control in Newspaper Coverage of 2014 Nigerian National Conference

Makut Simon Macham

25-42

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Commercialisation of Popular Culture in Cinematic Ideology: A Critical Reading of A Trip to Jamaica

Ibe Ogbobuike Ibe

43-55

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Conceptualising and Mapping of the New Testament Climate of Christianity

John O. Obineche

56-93

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Folktales Among the Tiv People of Nigeria: Prospects for Combating Economic Recession

Jacob Shimrumun Ioraa, Tyodoo Iyue

94-108

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Film as a Mass Communication Medium: Unpacking Its Encoding and Decoding Processes

Oluwadamilola O. Oshodi, Uwaoma Chimezie Nwazue

109-126

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Gender and Power Dynamics in Nigerian Video Films

Enakeno Victoria Oju, Isaiah U. Ilo

128-147

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A Critical Linguistic Interpretation of Intertextuality and Ideology in Ben Okri‟s Poetry

Ikenna Kamalu, Oyeh Otu

148-171

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Issues of the Self and Othering in Community Theatre Practice

Olagoke Olorunleke Ifatimehin

172-184

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Content Factor in Local Media Programmes: A Study of Music Videos, Sexuality and the NBC Code

Rita Adaobi Sunday-Kanu

185-204

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Music in Early-Childhood Education and Whole Child Development: Kindergarten Teachers‟ Perception in Oye LGA, Ekiti State

Joseph Agofure Idogho

205-223

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Nollywood and Hollywood Posters: A Comparative Analysis of Design Principles

Amiesia Ihekwoaba , Isaac Lasbrey Ihekwoaba

224-240

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Oil Exploitation and the Quest for Restructuring: Echoes from the Creeks in Anekwe Emmanuel's The Liquid Black-Gold

Hameed Olutoba Lawal

241-251

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The Reinvention of the “Legend of Robinhood” in Femi Osofisan's Once Upon Four Robbers

Peter O. Aihevba

252-268

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The Playwright as a Global Interpreter: An Examination of Femi Osofisan‟s Adaptation Techniques in Wèsóo Hamlet

Femi Adedina

269-283

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Patterns of Production and Aesthetic Elements in Some Nollywood Films

Joe Odedina

284-293

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Belief in Witchcraft and Sorcery in African Culture: A Philosophical Analysis

Edward Uzoma Ezedike

295-307

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Post-colonial Appropriation of English Language: Case of ELF and L1 features in HIV/AIDS Consultations in South Africa

Diana B. Njweipi-Kongor

308-331

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Producing the Documentary Film: The Role of a Scriptwriter

Teddy Thaddeus Hanmakyugh

332-343

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Performance Context of Storytelling Events vis-à-vis Western Civilisation and Global Influences

Taku Victor Jong

244-360

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Theatre and Anthropology in Amo Runzu Iyani Farming Festival of North Central Nigeria

Solomon Obidah Yamma

361-375

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Issues and Challenges of Language in Contemporary Nigerian Music: A Study of Selected Musical Videos

Emmanuel C. Emasealu, Clive I. Krama, Ifeyinwa Uzondu

376-396

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Issues and Challenges of Language in Contemporary Nigerian Music: A Study of Selected Musical Videos

Emmanuel C. Emasealu, Clive I. Krama, Ifeyinwa Uzondu

376-396

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A Critical Interpretation of Set and Light Designs in Kiriji War Production

Kunle Henry Afabor, S. Joseph Bankola Ola-Koyi

397-417

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Nollywood and Human Security in the Niger Delta: Hilda Dokubo's Asawana as Paradigm

Oluwatayo B. Isijola

418-436

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The Performance/Art of Storytelling: Itsekiri “Ita Ye” in Focus

Alero Uwawah Agbonkonkon-Ogeide

437-448

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The CRAB: Journal of Theatre and Media Arts
Journal / The CRAB: Journal of Theatre and Media Arts / Vol. 14 No. 1 (2024) / Articles

Articles

Natural Endowment and Environmental Sustainability: A Paradigmatic Reading of Nwamuo‟s Wisdom of the King and Mbajiorgu‟s Wake Up Everyone

Assessing Readers‟ Perception of the Influence of Ownership and Control in Newspaper Coverage of 2014 Nigerian National Conference

Commercialisation of Popular Culture in Cinematic Ideology: A Critical Reading of A Trip to Jamaica

Conceptualising and Mapping of the New Testament Climate of Christianity

Folktales Among the Tiv People of Nigeria: Prospects for Combating Economic Recession

Film as a Mass Communication Medium: Unpacking Its Encoding and Decoding Processes

Gender and Power Dynamics in Nigerian Video Films

A Critical Linguistic Interpretation of Intertextuality and Ideology in Ben Okri‟s Poetry

Issues of the Self and Othering in Community Theatre Practice

Content Factor in Local Media Programmes: A Study of Music Videos, Sexuality and the NBC Code

Music in Early-Childhood Education and Whole Child Development: Kindergarten Teachers‟ Perception in Oye LGA, Ekiti State

Nollywood and Hollywood Posters: A Comparative Analysis of Design Principles

Oil Exploitation and the Quest for Restructuring: Echoes from the Creeks in Anekwe Emmanuel's The Liquid Black-Gold

The Reinvention of the “Legend of Robinhood” in Femi Osofisan's Once Upon Four Robbers

The Playwright as a Global Interpreter: An Examination of Femi Osofisan‟s Adaptation Techniques in Wèsóo Hamlet

Patterns of Production and Aesthetic Elements in Some Nollywood Films

Belief in Witchcraft and Sorcery in African Culture: A Philosophical Analysis

Post-colonial Appropriation of English Language: Case of ELF and L1 features in HIV/AIDS Consultations in South Africa

Producing the Documentary Film: The Role of a Scriptwriter

Performance Context of Storytelling Events vis-à-vis Western Civilisation and Global Influences

Theatre and Anthropology in Amo Runzu Iyani Farming Festival of North Central Nigeria

Issues and Challenges of Language in Contemporary Nigerian Music: A Study of Selected Musical Videos

Issues and Challenges of Language in Contemporary Nigerian Music: A Study of Selected Musical Videos

A Critical Interpretation of Set and Light Designs in Kiriji War Production

Nollywood and Human Security in the Niger Delta: Hilda Dokubo's Asawana as Paradigm

The Performance/Art of Storytelling: Itsekiri “Ita Ye” in Focus

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