Afro-semio-aesthetics as an interpretative tool in contemporary Nigerian drama: John Iwuh’s The village lamb as a paradigm

Abstract

It has been observed that people; readers and interpreters misjudge Nigerian playtexts. This is because African semiotics and aesthetics have been dominated and influenced by Western theorists and critics who often misconceive African semio-aesthetics in African playtexts. Thus the problem of this study centres on the interpreters’ perceptions of the aesthetic and semiotic sensibilities of African cultures as “primitive” and inferior. Hence, the study aims at evolving African semio-aesthetic approach that will evaluate, judge, and interpret artistic components and compositions from the point of view of the African and his cultural heritage. Objectives of the study include: to examine African foundations of semiotic and aesthetic analyses for interpretation of playtexts. The study adopts content analysis approach of the qualitative research method. The findings reveal that from the African semio-aesthetic standpoint, Nigerian drama are aimed at effective generation and communication of meaning. Hence, the need for evolvement and integration of African theories of interpretation to permit communication and generation of meanings in Nigerian drama. The paper concludes that cultural elements add to the construct and impact of the dramatic products. Hence, African semio-aesthetics should be applied as interpretative tool in studying contemporary Nigerian drama. The study recommends that African semioaesthetics should be key anchor as an interpretative tool in contemporary  Nigerian play texts.